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Editorial 18 October 2017

This week we look forward to the Wired Open Day Festival with its art and agriculture synthesis, including Cat Jones’ participatory, diet-changing edible insect installation (image above), and we complete our extensive coverage of a thrilling 2017 OzAsia Festival with, among others, reviews of works that forecast radical change, featuring a tragic virtual pop star in The End and an autonomous singing android in Scary Beauty. Also this week, more change: Experimenta: Make Sense, an exhibition of the latest in experimental media art, and Soft Centre, a successful foray into expanding the creative dimensions of an electronic music event. And we look forward to Perth’s ever provocative Totally Huge New Music Festival, which includes a sublime 100-performer percussion work. All change for the better. Now, we’re off to Performance Space’s Liveworks. Keith and Virginia

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Top image credit: Cat Jones, Insecta Delecta, Wired Open Day, promotional image courtesy the artist and Wired Lab

18 October 2017

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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