Results for ‘reeldance’

Erin Brannigan & the living archive

In this interview, Erin Brannigan looks back to her young dancer and street paper reviewer self on a path to developing a passion for dance history and for doing...

Keith Gallasch

Sue Healey: Adaptation vs ephemerality

In a new Platform Paper, Capturing the Vanishing: A Choreographer and Film, Sue Healey eloquently details her struggle to sustain both artform and career by engaging with the screen...

Keith Gallasch

RealTime dances: the big picture

Erin Brannigan takes on the monumental task of surveying RealTime’s committed engagement with Australian contemporary dance from state to state, in theatres, galleries, onscreen, in digital interactions and Indigenous...

Erin Brannigan

Dance on screen

Rapt, Dance on Camera Festival 2007 © the artists Rapt, Dance on Camera Festival 2007 © the artists RealTime is a leader in developing critical writing around dance screen...

Advancing the art of reviewing

Keith Gallasch: interview, Erin Brannigan, Reviewing the Arts, UNSW

A treasure house of movement-led hybridity

Keith Gallasch, Interview, Carriageworks: 24 Frames Per Second, Co-Curator Beatrice Gralton

Keith Gallasch

arts centre ascendant

keith gallasch: lisa havilah, director carriageworks

Keith Gallasch

in the loop – november 8

realtime news and advance word

RealTime

interior worlds of the north

victoria carless: on edge festival

Victoria Carless

interior worlds of the north

victoria carless: on edge festival 2010, cairns

Victoria Carless

tears in time

virginia baxter: reeldance installations #04

Virginia Baxter

dancefilm: making choices

karen pearlman: 2010 reeldance awards

Karen Pearlman

in the loop – may 10

realtime news and advance word

RealTime

between space, people & camera

jane mckernan: interview, tracie mitchell, reeldance festival

Jane McKernan

sue healey

Sue Healey is a leading, Sydney-based choreographer, described by Erin Brannigan in her introduction to a 2004 RealTime interview as “a survivor in the Australian dance scene.” Her capacity...

Keith Gallasch

dance on screen

Rapt, Dance on Camera Festival 2007 © the artists Rapt, Dance on Camera Festival 2007 RealTime is a leader in developing critical writing around dance screen in all its...

Erin Brannigan

space-maker

keith gallasch: sam james, theatre & media designer

Keith Gallasch

screendance 2.0 is with us

chirstinn whyte: moves09, manchester, uk

Chirstinn Whyte

interdisciplinary artists & publics

keith gallasch: daniel brine, artistic director, performance space

Keith Gallasch

investing in dance screen

justine shih pearson: at empac and dance on camera, new york

Justine Shih Pearson

making dancefilm: influences, cultures, bodies

erin brannigan: interview with dancefilm director david hinton

Erin Brannigan

performance space: the winning years

keith gallasch: fiona winning

Keith Gallasch

the fiona winning interview

keith gallasch

Keith Gallasch

forsythe, bausch, platel…

martin del amo: reeldance festival contemporary dance on screen

Martin del Amo

judging the body-media meld

pauline manley: reeldance festival awards

Pauline Manley

memories spoken and embodied

jodie mcneilly on dance like your old man

Jodie McNeilly

next: evolving dance

pilobolus, dean walsh, the fondue set, chunky move

RealTime

reel-dancing

reel-dancing the 5th reeldance dance on screen festival

RealTime

walking with artists

the 2008 carriageworks and performance space programs

RealTime

dance screen treasure chest

film dances in the opera house for the sydney festival

RealTime

moving and shaking

sophie travers on the festival’s australian dance program

Sophie Travers

magic dance patterning

keith gallasch is captivated by reeldance installations

Keith Gallasch

women on the edge

keith gallasch reviews rosalind crisp and post

Keith Gallasch

dancing at the interface

erin brannigan in barcelona for iDN

Erin Brannigan

cutting it

renee newman-storer looks at wa dance film

Renee Newman-Storer

Contagious diseases, virulent truths

Media artist Gina Czarnecki shares some thoughts with Erin Brannigan

Erin Brannigan

An impetus to innovate

Jonathan Marshall talks to Artrage’s Marcus Canning

Jonathan Marshall

A dance of definitions

Karen Pearlman at Screendance in the USA

Karen Pearlman

Growing performance: networks & niches

Keith Gallasch surveys new opportunities for contemporary performance

Keith Gallasch

Editorial – RT72

New forms, connections, networks RealTime 72 is rich in reports of new forms, new ways of engaging with audiences and of making new connections—between media platforms, between performance niches...

RealTime

Dance cinema, cinematic dance

Karen Pearlman surveys the 2006 ReelDance finalists

Karen Pearlman

Research & sustainable dance

Keith Gallasch talks with Critical Path’s Sophie Travers

Keith Gallasch

Installation dancing

Mike Leggett at the Reel Dance Installations

Mike Leggett

An arts treasure chest

Jonathan Marshall

Jonathan Marshall

Wrestling with angels

Keith Gallasch: One Extra, Solo Series #1, Martin del Amo, Nikki Heywood, Julie-Anne Long

Keith Gallasch

Nunsense in Hill End NSW

Erin Brannigan: Julie-Anne Long, A Nun’s Picnic

Erin Brannigan

Innovation and the dialectics of distance

Keith Gallasch

Keith Gallasch

Art eats the world, every day

Keith Gallasch: One Extra Dance, Narelle Benjamin, Inside Out; Michael Whaites, Waiting for Michael; reeldance

Keith Gallasch

Video + Art = ?

RealTime-Performance Space Forum, Monday 18 August 2003

RealTime

The Monaco Dance Forum: everything and more

Erin Brannigan

Erin Brannigan

The Studio: onwards and upwards

RealTime

RealTime

Eyes wide open

Virginia Baxter: ReelDance

Virginia Baxter

Dance film: the art, the market

Keith Gallasch

Keith Gallasch

Dance on Screen

Articles & Reports Justine Shih Pearson reports on Dance on Camera, New York, and explores the new Curtis R Priem Experimental Media and Performing Arts Centre (EMPAC) Chirstinn Whyte...

RealTime

the curiosities, 2008-12

Nalina Wait, The Curiosities photo James Brown Nalina Wait, The Curiosities The Curiosities, commenced in 2008, so far consists of four works. In 2008, Healey made a six-minute film...

RealTime

fine line and fine line terrain, 2004

Fine Line Terrain photo Alejandro Rolandi Fine Line Terrain Fine Line (2004) and Fine Line Terrain (2004) are both part of Sue Healey’s Niche Series (2002-04). Fine Line is...

RealTime

in time series, 2005-2007

Lisa Griffiths, As You Take Time photo Patrick Neu Lisa Griffiths, As You Take Time These works deal with time and timing; how we sense time, never seem to...

RealTime