Australian
and international
exploratory
performance and
media arts

Art Politics:

(In)formative reviewing: a decade of Sydney performance

Caroline Wake

My RealTime years: art, writing & terror

5 December 2018

Liveworks: Return to Escape from Woomera

8 September 2018

Writing the art experience: Itching shaking crying being held – Part I: Of silence and silencing

Zsuzsanna Soboslay

NSW arts-funding: disgrace & disrespect

Keith Gallasch

MY MY MY: Amala Groom’s Have you seen MY Emily?

Keith Gallasch

12 December 2017

Interchange Festival: The Start and the End of the Body

Nikki Heywood

6 December 2017

Interchange Festival: The Political Body

Cleo Mees

6 December 2017

Chauka, Please Tell Us the Time: Detention from the inside

5 December 2017

Speechless: Giving voice to refugees

Chris Reid

Ambulante film festival, Mexico City: Travelling doco fest vs corruption

Ann Deslandes

Travelling doco fest fights corruption

Ann Deslandes

Sydney College of Art fights back

Liz Bradshaw

14 September 2016

Reverse the trend; champion creative education

Liz Bradshaw

14 September 2016

On the record: Australian artists in free-fall

Jana Perkovic

Occupying culture in Rio de Janeiro

Ann Deslandes

Fighting for the arts & the public good

Keith Gallasch

Editorial June 8

Arts workers analyse the market

Victoria Carless

Art versus the war against Nature

Sumugan Sivanesan

27 January 2016

Carry On Culture Wars

Keith Gallasch

27 January 2016

True calling: the good news & the bad

pressures on tertiary dance education

Obituary

Teiji Furuhashi, member of Dumb Type, musician, performer, drag artist, activist

1 February 1996

Between a rock and a hard place

Sarah Miller

1 February 1996

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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