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| SYDNEY FESTIVAL: SENSES AND CAUSES Nikki Heywood finds herself, "senses upended," in the world of the deafblind in Michelle Stevens and Heather Lawson's Imagined Touch and is then witness to Dancenorth's delving into the nature of causality with Japanese collaborators in Spectra. |
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| SYDNEY FESTIVAL: REMARKABLE MUSICS Keith Gallasch is transported by the high calibre of performance and sheer inventiveness evident in 1967: Music in the Key of Yes, Ellen Fullman's Long String Instrument, Gabriel Dharmoo's Anthropologies Imaginaires, Rautavaara, and Nicole Lizee, Sex, Lynch and Video Games with the Australian Art Orchestra. |
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| VENICE: SHIFTING GRAVITY'S CENTRE Julie Vulcan describes profound efforts by Ukrainian, American and Australian artists (Casey Jenkins, James McAllister) to reorient thought and perception via the body in the Venice International Performance Art Week. |
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WOMADELAIDE: SAVING THE MUSICAL MIND
Ben Brooker interviews Roysten Abel, a man with a mission to sustain the musical imagination and abilities of children often dulled by negligent education. Manganiyar Classroom is performed by 35 six-16-year-old Pakistani boys. |
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| BRISBANE HAS A DANCE FESTIVAL Glyn Roberts, Co-Artistic Director of Brisbane's Supercell Dance Festival, talks RealTime through its substantial inaugural program, featuring a fascinating array of artists from Australia, UK, Switzerland and China. |
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| INTO THE INTERNET'S BLACK HOLES Lauren Carroll Harris is drawn into zin's The internet is where innocence goes to die and you can come too, a fun live art demonstration of "the net's power as an engine of visual culture." |
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