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ASIA TOPA: ESCAPE ATTEMPTS Lachlan Philpott's Little Emperors conveys with theatrical verve the oppressive weight of obligation borne by the progeny of China's one-child policy, writes Sally Sussman. |
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ASIA TOPA: THE POWER OF COLLABORATION Madeline Roycroft revels in the interplay between Garin Nugroho's film, Satan Jawa, and the score composed by Iain Grandage and Rahayu Supanggah and played live by 20 gamelan players and the Melbourne Symphony Orchestra. |
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PIAF 2017: NATURALISM THAT MAKES SPACE FOR ALL
Jana Perkovic applauds American playwright Richard Nelson’s trilogy, The Gabriels, set across the 2016 election year and vividly portraying “a group of three-dimensional individuals, their lives spent navigating the consequences of grand narratives, without ever over-identifying with them.” |
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PIAF 2017: A WORLD CHANGED? Idiosyncratic works focused on our relationships with water, sport (women’s) and political power trigger reflection on connections between self, community and history, writes Jana Perkovic. |
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UNANTICIPATED MOVES Kathryn Kelly engages with fascinating works about female eros, passing and power from Switzerland, China and Australia in Brisbane's new Supercell Festival of Contemporary Dance.
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