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FILM FESTIVALS VS THE BIG STREAMERS Addressing alarming data and chatting with Melbourne International Film Festival's Michelle Carey, Cameron Williams estimates the power or not of Amazon and Netflix to limit choice in Australian international film festival programming. |
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ART AS BIG PUBLIC INFRASTRUCTURE Lauren Carroll Harris interviews curator Alessio Cavallaro about screen works programmed for Wynscreen, a media art installation built into Sydney's Wynyard Station, and the expectations held for developing an art-conscious public on the move. |
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THE AUDIENCE ON THE INSIDE Passenger, its audience in a bus, overhearing a conversation as the cityscape sweeps by, is "almost live cinema," and Aeon, in which the audience performs—instinctively—is like "an Orphic passage, an animal transformation," writes an engaged John Bailey. |
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SCIENCE + LOVE = EXPLOSIVE DANCE The Farm (Gold Coast) and Co3 (Perth) unite to create Frank Enstein, a dance work for younger audiences based on the series of books for children but upgraded to adolescent longing for love, realised with powerful choreography and a great sense of fun, writes Kathryn Kelly. |
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