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Polyphonic Social: sacred & other resonances

Elyssia Bugg

In the Good Shepherd Chapel in Melbourne’s Abbotsford Convent, Elyssia Bugg experiences an embracing Liquid Architecture event that variously evokes the numinous and the ecstatic.

6 June 2017

Danger Magic: dark soundings

Keith Gallasch

Keith Gallasch feels the danger in daunting performances by Andrew Harper and Geoffrey Gartner in Liquid Architecture’s Danger Magic at Sydney’s Firstdraft.

6 June 2017

Julian Day: Poles (2016)

Critical Video

Clashes between “the meticulous precision of the concept and the cheerful cacophony of the execution, the formal austerity of the cinematic framing and the gleefully deadpan execution of the performers,” delight Oliver Downes.

6 June 2017

Triple J & arts criticism in crisis

Cameron Williams

The controversial competition for a new screen critic at Triple J reveals a deeper problem: a deprofessionalisation and devaluation of criticism in Australia at the national youth broadcaster and beyond, argues Cameron Williams.

6 June 2017

Anthropo[s]cenic Antarctica

Gail Priest

Philip Samartzis’ bracing book and CD, Antarctica: An Absent Presence, takes Gail Priest on an immersive visual and aural journey into an icy wilderness inflected with human intrusion.

6 June 2017

Is birdsong music? Ask the butcherbird

Chris Reid

Zoömusicologist Hollis Taylor reveals the cultural life and compositional skills of birds in a wonderful new book with two CDs on which humans join in the music-making. Listen to fascinating excerpts.

6 June 2017

Jana Perkovic: Zagreb, Croatia

RealTime Traveller

Jana Perkovic offers a fine account of an accommodating middle European city with its excellent theatre scene, festivals, Museum of Broken Relationships, great cafes and fine parks, one virtually a forest.

6 June 2017

Philip Samartzis: Antarctica

Critical Audio

Feel the sheer force of Antarctic wind activating the symphonic potential of wire and sheet metal in an excerpt from Samartzis’ Antarctica, An Absent Presence.

6 June 2017

Phone re-think: Lisa Wilson, Paul Charlier

Keith Gallasch

The co-directors intrigue Keith Gallasch with their vision for a new dance work, Wireless, that addresses the creative potentials and dire threats embodied in the not so ordinary smart phone.

6 June 2017

GIVEAWAY: Hollis Taylor, Absolute Bird, double CD

A very special double CD by Hollis Taylor features a magical coming together of Australian musicians — avian and human.

6 June 2017

Andrée Greenwell’s Cinéaste: reflections & refractions

Keith Gallasch

Cinéaste Vol. 1 is a fascinating assemblage that allows composer Greenwell to lovingly reflect on the idiom of film scoring and to inventively refract her own compositions, yielding aural gems: riffs, ostinatos, hooks and soundscapes, the stuff of movies actual and imagined.

5 October 2021

Sky Blue Mythic: Angela Goh’s fantastical myth-making

Keith Gallasch

More essay than review, Keith Gallasch’s response to Angela Goh’s Sky Blue Mythic explores the relationship between experiencing a powerfully disconcerting work, reviewing it and engaging with the artist’s account of it.

26 July 2021

Narcifixion: Watching the narcissists

Keith Gallasch

Anton’s vigorously propulsive, grimly funny dance work, Narcifixion, about screen-bred narcissism provokes Keith Gallasch, watching a finely streamed performance, to appreciate the logic of its structure and respond to its account of a complex condition.

17 June 2021

Rakini Devi’s nightwork: the performer as visual artist

Keith Gallasch

The exhibition Inhabiting Erasures powerfully attests to a passion to arrest the wrongs done to women, conjures a magical otherworld of female strength and beauty and exquisitely reveals painting to be the foundation of Devi’s practice.

2 June 2021

The RealTime Archive: Contributors: Jodie McNeilly

For our archive we’re completing and updating our contributor entries. Dancer, research academic and writer Jodie McNeilly likes that writing “lets [her] turn towards the world with acute attention.” Read Jodie’s profile here.

12 March 2021

The RealTime Archive: Contributors: Erin Brannigan

For our archive we’re completing and updating our contributor entries. Writer and teacher Erin Brannigan’s passionate “motivation in writing about dance and choreography in its many forms is to help it persist into the future.”

12 March 2021

The RealTime Archive: Contributors: Cleo Mees

For our archive we’re completing and updating our contributor entries. Writer, teacher and video-maker Cleo Mees reflects on music and dance, Bodyweather and writing “that makes surprising associations and confessions…”

12 March 2021

Excellent everyday Kathak: Raghav Handa’s TWO

Keith Gallasch

With amusing conversation and exquisite partnering dancer Raghav Handa and tabla player Maharshi Raval reveal much about collaboration, Kathak dance and the testing of boundaries.

25 February 2021

Album review: Offspring Bites 3: En Masse

Keith Gallasch

From Ensemble Offspring potent works by Alex Pozniak (dramatically assaying weight in music), Holly Harrison (a witty take on instrumental and other distortions) and Thomas Meadowcroft (a gently vibrating meditation that opens out to a pulsing expansive vision).

25 February 2021

Editorial Thursday 27 August 2020

Keith Gallasch & Virginia Baxter

The highly successful 2019 exhibition In Response: Dialogues with RealTime, which celebrated the interplay between RealTime and the artists Martin del Amo, Vicki Van Hout and Branch Nebula, is now exhibited online. We also interview instigator and co-curator Dr Erin Brannigan about her motivation for mounting this innovative exhibition. In another bold archival venture, Madeleine Hodge and Sarah Rodigari have created Timely Readings, a visual mapping of live art in Australia.

27 August 2020