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Sorry theatre: Conversations With The Dead

Jonathan W Marshall

The return to the stage of Richard Frankland’s Conversations With The Dead (2002), haunted as it is by Aboriginal deaths in custody, compels Jonathan W Marshall to question the power of art to intervene in Australian politics.

1 June 2017

The Deep Archive: Wesley Enoch on Contemporary Indigenous Arts Practice

Wesley Enoch

Premiering his production of the 1971 classic, The Cherry Pickers, in 1994, Enoch ponders the meaning of “contemporary Indigenous art” in terms of loss and continuity of heritage and poor access to the means of Indigenous self-representation.

1 June 2017

Divercity makes community

Elyssia Bugg, Yirramboi Festival, Divercity

Though impressed by the dancers’ conversational ease and their interaction with the audience, Elyssia Bugg wants more from emerging artist Mariaa Randall’s choreography in Divercity.

1 June 2017

Emily Johnson, SHORE in NARRM: A line to cross

Andrew Fuhrmann

For Andrew Furhmann, an illuminated tree, the moon and a walk through cobbled laneways open up a sense of congregation and otherness in Emily Johnson’s SHORE in NARRM for Melbourne’s Yirramboi Festival, though what follows is less certain.

1 June 2017

Audiovision: Trauma & silence

Philip Brophy: Cheltfisch’s Time’s Journey Through A Room

Opposing sound design overkill in contemporary theatre, Philip Brophy brilliantly delineates the strategies with which Japan’s chelfitsch sensitively addresses voices silenced by trauma in Time’s Journey Through A Room.

31 May 2017

Gabrielle de Vietri: Three Teams (2013)

Critical Video

See an art project that prototypes the world’s first three-sided footy game while doubling as an affectionate quasi-documentary video portrait of a community and then read writer and performer Teik Kim Pok’s response.

31 May 2017

Performance Nurturers 1: inSPACE

Ben Brooker

In the first of his two reports on support for emerging and early career artists, Ben Brooker talks to the director and participants engaged in the Adelaide Festival Centre’s inSPACE program.

31 May 2017

RealTime on Instagram

Follow RealTime as we see shows featuring works by inspiring Indigenous artists: Robert Cook, Brenda Croft and the late Robert Campbell Jnr.

31 May 2017

realtime tv: Gaylene Preston

RealTime TV

24 May 2017

A world in seven stories

Keith Gallasch

Ensemble Offspring’s ambitious forthcoming concert features seven composers, a writer, video artist and instrumentalists in a production that engages poetically with fundamental narratives.

23 May 2017

Andrée Greenwell’s Cinéaste: reflections & refractions

Keith Gallasch

Cinéaste Vol. 1 is a fascinating assemblage that allows composer Greenwell to lovingly reflect on the idiom of film scoring and to inventively refract her own compositions, yielding aural gems: riffs, ostinatos, hooks and soundscapes, the stuff of movies actual and imagined.

5 October 2021

Sky Blue Mythic: Angela Goh’s fantastical myth-making

Keith Gallasch

More essay than review, Keith Gallasch’s response to Angela Goh’s Sky Blue Mythic explores the relationship between experiencing a powerfully disconcerting work, reviewing it and engaging with the artist’s account of it.

26 July 2021

Narcifixion: Watching the narcissists

Keith Gallasch

Anton’s vigorously propulsive, grimly funny dance work, Narcifixion, about screen-bred narcissism provokes Keith Gallasch, watching a finely streamed performance, to appreciate the logic of its structure and respond to its account of a complex condition.

17 June 2021

Rakini Devi’s nightwork: the performer as visual artist

Keith Gallasch

The exhibition Inhabiting Erasures powerfully attests to a passion to arrest the wrongs done to women, conjures a magical otherworld of female strength and beauty and exquisitely reveals painting to be the foundation of Devi’s practice.

2 June 2021

The RealTime Archive: Contributors: Jodie McNeilly

For our archive we’re completing and updating our contributor entries. Dancer, research academic and writer Jodie McNeilly likes that writing “lets [her] turn towards the world with acute attention.” Read Jodie’s profile here.

12 March 2021

The RealTime Archive: Contributors: Erin Brannigan

For our archive we’re completing and updating our contributor entries. Writer and teacher Erin Brannigan’s passionate “motivation in writing about dance and choreography in its many forms is to help it persist into the future.”

12 March 2021

The RealTime Archive: Contributors: Cleo Mees

For our archive we’re completing and updating our contributor entries. Writer, teacher and video-maker Cleo Mees reflects on music and dance, Bodyweather and writing “that makes surprising associations and confessions…”

12 March 2021

Excellent everyday Kathak: Raghav Handa’s TWO

Keith Gallasch

With amusing conversation and exquisite partnering dancer Raghav Handa and tabla player Maharshi Raval reveal much about collaboration, Kathak dance and the testing of boundaries.

25 February 2021

Album review: Offspring Bites 3: En Masse

Keith Gallasch

From Ensemble Offspring potent works by Alex Pozniak (dramatically assaying weight in music), Holly Harrison (a witty take on instrumental and other distortions) and Thomas Meadowcroft (a gently vibrating meditation that opens out to a pulsing expansive vision).

25 February 2021

Editorial Thursday 27 August 2020

Keith Gallasch & Virginia Baxter

The highly successful 2019 exhibition In Response: Dialogues with RealTime, which celebrated the interplay between RealTime and the artists Martin del Amo, Vicki Van Hout and Branch Nebula, is now exhibited online. We also interview instigator and co-curator Dr Erin Brannigan about her motivation for mounting this innovative exhibition. In another bold archival venture, Madeleine Hodge and Sarah Rodigari have created Timely Readings, a visual mapping of live art in Australia.

27 August 2020