fbpx

Long paddock revelations

Emily Stewart

In Wagga Wagga, Emily Stewart encounters video, sound and installation mapping the threatened ‘long paddock’—the network of forgotten eco-pathways sprawled across Australia.

23 May 2017

Stranger With My Face’s dark pleasures

Katerina Sakkas

Katerina Sakkas is engaged by five striking films by women “challenging the dominant narrative through captivating, angry, inspired, artistic works from past and present” at Hobart’s 2017 SWMF.

23 May 2017

Stranger With My Face: Discovering Gaylene Preston

Lauren Carroll Harris

Lauren Carroll Harris is taken with genre-bending 1984 and 2003 feminist films by the New Zealand filmmaker, a special guest at this year’s SWMF in Hobart.

22 May 2017

Liam O’Brien: Early April (2017)

RealTime Video Gallery

Chantal Akerman said that “there is no good documentary without a bit of fiction, and vice versa.” Of the four videos in this Almost Doco collection, Liam O’Brien’s has most in common with cinema in that it’s a sad comedy set in a fictive reality.

22 May 2017

Jacobus Capone: Arctic Field Notes (Act 3) (2017)

RealTime Video Gallery

A grim reverie. An unspecified climate of concern. Jacobus Capone trawls a stick through indifferent Arctic snow. He’s a slight figure. Crossing from left to right, he leaves little evidence of a trail. This gruelling labour has an outcome, but it’s only implicit.

22 May 2017

Frazer Bull-Clark: The Palm Trees of Beverly Hills, New South Wales (2017)

RealTime Video Gallery

Artist Frazer Bull-Clark has made what he calls a moving postcard of Beverly Hills, Hurstville, and beyond that, what reads as a picture of the oddity of Australian suburbia. Beverly Hills is a suburb with a largely unknown history even to Sydney residents.

22 May 2017

Tiyan Baker: The Witness – Portrait of r/WatchPeopleDie (2017)

RealTime Video Gallery

There’s an internet community for everything. You haven’t even dreamed of the niches within niches out there, in the muddy depths of unpublicised YouTube channels and discussion forums. Tiyan Baker’s video portraits of loneliness have won major awards. Here, she turns her attention to create a side-glancing portrait of one internet community.

22 May 2017

Simone Hine: Corridor (2009): A world between screens

Critical Video

Brisbane artist Simone Hine’s Corridor is the first in a fortnightly series in which our writers, here it’s Melbourne-based Elyssia Bugg, craft pithy appreciations of recent video works by Australian artists.

22 May 2017

Jason Phu: Chiang Mai, Thailand

RealTime Traveller

Our guides by artists to cities around the world return with Jason Phu’s fun introduction to Thailand’s contemporary art city, Chiang Mai, covering galleries, clubs, malls and, above all, food, not least for strong stomachs.

22 May 2017

The Deep Archive: 1994, Adam Cullen reviews Free Willy

In 1994, the late great artist Adam Cullen, sensing the film’s innate evil, penned a one-off review of family favourite Free Willy. This is the first in a series of classics from our as yet undigitised 1990s files.

22 May 2017

Andrée Greenwell’s Cinéaste: reflections & refractions

Keith Gallasch

Cinéaste Vol. 1 is a fascinating assemblage that allows composer Greenwell to lovingly reflect on the idiom of film scoring and to inventively refract her own compositions, yielding aural gems: riffs, ostinatos, hooks and soundscapes, the stuff of movies actual and imagined.

5 October 2021

Sky Blue Mythic: Angela Goh’s fantastical myth-making

Keith Gallasch

More essay than review, Keith Gallasch’s response to Angela Goh’s Sky Blue Mythic explores the relationship between experiencing a powerfully disconcerting work, reviewing it and engaging with the artist’s account of it.

26 July 2021

Narcifixion: Watching the narcissists

Keith Gallasch

Anton’s vigorously propulsive, grimly funny dance work, Narcifixion, about screen-bred narcissism provokes Keith Gallasch, watching a finely streamed performance, to appreciate the logic of its structure and respond to its account of a complex condition.

17 June 2021

Rakini Devi’s nightwork: the performer as visual artist

Keith Gallasch

The exhibition Inhabiting Erasures powerfully attests to a passion to arrest the wrongs done to women, conjures a magical otherworld of female strength and beauty and exquisitely reveals painting to be the foundation of Devi’s practice.

2 June 2021

The RealTime Archive: Contributors: Jodie McNeilly

For our archive we’re completing and updating our contributor entries. Dancer, research academic and writer Jodie McNeilly likes that writing “lets [her] turn towards the world with acute attention.” Read Jodie’s profile here.

12 March 2021

The RealTime Archive: Contributors: Erin Brannigan

For our archive we’re completing and updating our contributor entries. Writer and teacher Erin Brannigan’s passionate “motivation in writing about dance and choreography in its many forms is to help it persist into the future.”

12 March 2021

The RealTime Archive: Contributors: Cleo Mees

For our archive we’re completing and updating our contributor entries. Writer, teacher and video-maker Cleo Mees reflects on music and dance, Bodyweather and writing “that makes surprising associations and confessions…”

12 March 2021

Excellent everyday Kathak: Raghav Handa’s TWO

Keith Gallasch

With amusing conversation and exquisite partnering dancer Raghav Handa and tabla player Maharshi Raval reveal much about collaboration, Kathak dance and the testing of boundaries.

25 February 2021

Album review: Offspring Bites 3: En Masse

Keith Gallasch

From Ensemble Offspring potent works by Alex Pozniak (dramatically assaying weight in music), Holly Harrison (a witty take on instrumental and other distortions) and Thomas Meadowcroft (a gently vibrating meditation that opens out to a pulsing expansive vision).

25 February 2021

Editorial Thursday 27 August 2020

Keith Gallasch & Virginia Baxter

The highly successful 2019 exhibition In Response: Dialogues with RealTime, which celebrated the interplay between RealTime and the artists Martin del Amo, Vicki Van Hout and Branch Nebula, is now exhibited online. We also interview instigator and co-curator Dr Erin Brannigan about her motivation for mounting this innovative exhibition. In another bold archival venture, Madeleine Hodge and Sarah Rodigari have created Timely Readings, a visual mapping of live art in Australia.

27 August 2020