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Australian
and international
exploratory
performance and
media arts

Issue 42:

Small screen youth revolution

Kirsten Krauth

1 April 2001

Looking at light

Naomi Black

1 April 2001
Topology + The Necks play the Powerhouse

Topology + The Necks play the Powerhouse

Greg Hooper

1 April 2001

Cool and blue in the hot house

Mark Mordue

1 April 2001
Listening like looking

Listening like looking

Chris Reid

1 April 2001

Funny things can happen

Mary-Ann Robinson

1 April 2001

Isaac Julien's carnival at the MCA

Jane Mills

1 April 2001

Liquid Gold cyberdelia

Douglas Leonard

1 April 2001

Where is my love scene with Maggie Cheung?

Juanita Kwok

1 April 2001
Editorial – RT42

Editorial – RT42

Keith Gallasch

1 April 2001

RT post

RealTime

1 April 2001

RT talk

RealTime

1 April 2001

The Arts: What Next – Lost: a space

Fiona Winning

1 April 2001
Handy hints for new, new media reviewers

Handy hints for new, new media reviewers

Dean Kiley

1 April 2001
Film review

Film review

Kirsten Krauth

1 April 2001
filmSHORTS

filmSHORTS

inhouse

1 April 2001

The 3 faces of Stacey

Keith Gallasch

1 April 2001
Queer, odd and just right

Queer, odd and just right

Keith Gallasch

1 April 2001

Opening up a classic

Keith Gallasch

1 April 2001
Trust nothing to dance

Trust nothing to dance

Virginia Baxter

1 April 2001

Double vision at Stills

Virginia Baxter

1 April 2001
Dirty angels, odd angles

Dirty angels, odd angles

Keith Gallasch

1 April 2001
digitalSHORTS

digitalSHORTS

RealTime

1 April 2001

Reinvigorating the arcane

Chris Reid

1 April 2001
New Music skirmishes

New Music skirmishes

Andrew Kettle

1 April 2001

Margaret Trail's sounds of un-sense

Philipa Rothfield

1 April 2001

Sex drugs and revolutionary modern ballet

Trevor Hay

1 April 2001

Liberating the artist from the revolution

Linda Jaivin

1 April 2001

Anxious pleasures

Bec Dean

1 April 2001

So close to the thing itself, and not

Linda Marie Walker

1 April 2001

Inside the sense-surround jigsaw

Di Klaosen

1 April 2001

Sounds for hungry ears

Martin Walch

1 April 2001

What Is Music? finds its audience

Caleb K

1 April 2001
Auricle + Clocked Out play with possibilities

Auricle + Clocked Out play with possibilities

Alistair Riddell

1 April 2001

Directors + playwrights: the living and the dead

Benedict Andrews

1 April 2001

Earthed: Perth International Arts Festival 2001

Sarah Miller

1 April 2001

No good guys/bad guys

Gavin Findlay

1 April 2001

Making more than one of yourself

Erin Brannigan

1 April 2001

New choreographies

Philipa Rothfield

1 April 2001

Yolgnu Boy

Catriona McKenzie

1 April 2001

The double edge of desire

Simon Enticknap

1 April 2001
Zoom brand SA shorts

Zoom brand SA shorts

Mike Leggett

1 April 2001

Life beyond Documart

Mary O'Donovan

1 April 2001

Korea: split screen

Catherine Gough-Brady

1 April 2001

Cinesonic: use no hooks – freighting Tom Hanks

Philip Brophy

1 April 2001

Don't call me baby, baby

Darren Tofts

1 April 2001
ScreenSound out of the vaults

ScreenSound out of the vaults

Magella Blinksell

1 April 2001

MESH 14: resisting the global narrative

Esther Milne

1 April 2001
WriteSites: revisualising new media writing

WriteSites: revisualising new media writing

Tatiana Pentes

1 April 2001

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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