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Australian
and international
exploratory
performance and
media arts

Issue 65:

Unsafe theatre: La Mama, NYID, Little Asia

John Bailey

1 February 2005

Provider, protagonist, collaborator

Mike Walsh

1 February 2005

Mardi Gras: An Asian dimension

Dan Edwards

1 February 2005

Short site, limited vision

Jake Wilson

1 February 2005

Korea: gameplay

Josephine Starrs

1 February 2005

Multimedia: evolution and transformation

Jing Garcia

1 February 2005

The turbulence of truth

Michelle Moo

1 February 2005

Mecha-lust, mecha-love

Rachel O'Reilly

1 February 2005
Who wins: video or new media art?

Who wins: video or new media art?

Keith Gallasch

1 February 2005

Myth, magic and money

Don Mamouney

1 February 2005

Performance resurrected

Alwin Reamillo

1 February 2005

Entering the familial web

Dan Edwards

1 February 2005

Miraculous critique

Bryoni Trezise

1 February 2005

Michael Kantor's new Malthouse brew

Jonathan Marshall

1 February 2005

Nuclear family gameplay

Jonathan Marshall

1 February 2005

Instrusions and confessions

Keith Gallasch

1 February 2005

New music versus new labels

Jim Denley

1 February 2005
the NOW now: present and accounted for

the NOW now: present and accounted for

Gail Priest

1 February 2005

Cage: music uncaged

Robert Lort

1 February 2005
Provider, protagonist, collaborator: An interview with Paulo Cherchi Usai

Provider, protagonist, collaborator: An interview with Paulo Cherchi Usai

Mike Walsh

1 February 2005
An organic-synthetic mix

An organic-synthetic mix

Susanne Kennedy

1 February 2005

Editorial – RT65

RealTime

1 February 2005

The exquisite horror of banality

Mary Ann Hunter

1 February 2005

Minutes to Midnight

Virginia Baxter

1 February 2005

Indian art: wit and politics

Bec Dean

1 February 2005

EAF's global spin: a progress report

Chris Reid

1 February 2005

Demurely defiant

Diana Klaosen

1 February 2005
Saraswati Arts Program

Saraswati Arts Program

RealTime

1 February 2005

Past and present simultaneously

Liz Bradshaw

1 February 2005

Marrugeku in Broome

Keith Gallasch

1 February 2005

Nunsense in Hill End NSW

Erin Brannigan

1 February 2005

Monaco's unwieldy dance fest

Erin Brannigan

1 February 2005
A body brought to book

A body brought to book

Douglas Leonard

1 February 2005
Australia Council unplugged

Australia Council unplugged

Keith Gallasch

1 February 2005

Bio-art: adventures in ethics

Catherine Fargher

1 February 2005

OnScreen Editorial – RT65

Dan Edwards

1 February 2005

Digital agitation: Time To Go John

Catherine Gough-Brady

1 February 2005

SOOB: Celebrating oppositional television

Danni Zuvela

1 February 2005

PVI's Terror Australis

Pip Christmass

1 February 2005
Bushwacked: Embrace your pain

Bushwacked: Embrace your pain

Jean (Sean) Poole (Healy)

1 February 2005
TV Provera: interactive community TV

TV Provera: interactive community TV

Tim Burns

1 February 2005

Victim: The poetry of fear

Pip Christmass

1 February 2005

Oshii's redemptive pets and killer puppets

Lisa Bode

1 February 2005

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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